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Tuesday, June 15, 2010

Harem suaré (1999)

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Import/Export (2007)

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Préparez vos mouchoirs (1978)

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The Baby of Mâcon (1993)

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Asfour Stah (1990) / Halfaouine: Child of the Terraces

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Thursday, June 3, 2010

Sexual Liberty Now! (1971)

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Cloud 9 (2006)

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Nije kraj (2008)

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Gums (1976)

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What Alice Found (2003)

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Carry on Camping (1969)

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Monique, mein heißer Schoß (1979)

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Damage (1992)


A member of Parliament (Irons) falls passionately in love with his son's fiancée. They pursue their affair with obsessive abandon despite the dangers of discovery and what it would do to his complacent life and his son. Completely obsessed, he wants to give up his current lifestyle to be with her. She has no intention of allowing him to do this, preferring to have her marriage to the son as a cover. They are eventually discovered, and must deal with the damage. Based on the novel by Josephine Hart.

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Wednesday, June 2, 2010

Je suis né d'une cigogne (1999)


Je suis né d'une cigogne (1999)
XVID 656x400 25.00fps | French Dolby AC3 384Kbps | link to English subs .txt | 01:14:58 | 700 MB
Drama/Comedy | Director: Tony Gatlif | aka "Children of the Stork" | Romain Duris, Rona Hartner

Je suis né d’une cigogne is both an insanely anarchic portrait of adolescent rebellion and an ingenious parable of social exclusion and immigration in an uncaring society. Social realism rapidly gives way to black comedy and madcap surrealism in a film which broaches some pressing social issues with precision and well-intended irony. From both its look and its content, Je suis né d’une cigogne feels like a blatant homage to the works of Jean-Luc Godard, one of the leading figures of the French New Wave. The plot looks like a crazy mélange of Godard’s À bout de souffle , Pierrot le fou and Weekend, whilst the manic use of jump cutting and over-exposure is Godard’s technique carried to an extreme which even Godard may have considered excessive. It may seem unlikely but this very unusual visual style works well and the result is something that is far more substantial and worthy than a shameless appropriation of another director’s technique.


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